Alex is a feature length comedy based on critically acclaimed west end play of the same name.
It’s directed by Adrian Hedgecock, stars Robert Bathurst and is produced by BreakThru films.
It’s my first attempt at editing a feature length drama and it was damn hard work, but it does look very sexy: check out the trailer .
Hot on the heels of our HITMAN remix [which I still haven’t managed to post here, sorry], my brother and I have just completed this awesome [if I do say so myself] remix for Paul WS Anderson’s action-car-prison-break-stratham-death-race-thingie.
Phil and I have just got back from Minneaplois where we’ve been talking about a few secret projects with PRINCE at Paisley Park.
There’s no photography allowed inside the studio, but here is a picture of the building itself.
I can’t say anything about what we’ve been doing, but…er…yeah…that’s it.
Yes!
The remarkable animation PETER AND THE WOLF, made by BREAKTHRU FILMS won best animation at the 2008 OSCARS!
It is truly deserved and probably down to the amazing special features on the DVD.
One of those amazing DVD features is a director and lead animator commentary to the rough cut of the film.
I was asked to record a director’s commentary and thought it would be more interesting to talk about the rough cut.
The rough cut includes all the armatures used to hold up the puppets as well as very few of the computer generated effects. It makes for a very interesting and different point of view of the film.
I’ve made it onto IMDB at last!
Admittedly, my page is probably the smallest in IMDB history, but it’s actually a great feeling to be listed among the chosen few who get to make movies in whatever capacity.
Some more Internet virals for Fox’s adaptation of the computer game, Hitman.
This time I was working with my brother Luke who is a budding editor and musical genius.
Together we came up with a new concept in film remixing.
I’ll post it here when I get a moment.
Phil’s first commercial directing job sees us both off to Prague.
Phil’s directing a parkour corporate video for DHL with me running second camera and you guessed it…editing.
More online virals from the master himself…yes, that’s me.
Ken Branagh is directing the remake of this camp 1970s thriller.
Jude Law will play the Michael Caine role and Michael Caine will step into Lawrence Oliviers shoes.
The silliness of the original gives way to a very surreal, sadistic tale at the hands of a Harold Pinter script.
Phil will be shooting behind the scenes material…I’ll be sat in the edit suite creating webisodes.
PINTER: BRANAGH: LAW: CAINE: WASYLKIW: STOOLE. It doesn’t get much better than that.
BAFTA are now screening short films and experimental art films in their cafe/restaurant area.
Anyone lucky enough to be a member will also be able to watch my pompous, floaty, art film set high above the Chiltern hills
Throughout August and September Prince will be performing his sell-out tour of the o2 Arena.
Phil and I will be there every night, filming behind the scenes material for his royal highness the Prince of Funk.
I’m sworn to secrecy and I’m probably breaching my contract by even writing this, so if you want to find out anything more, you’ll have to kill me first….er….that’s not right is it?
The last of the short films set in the world of 28 Days/Weeks Later.
Staring the delightful Carmel o’Sullivan, William Meredith and Dan Sung as the infected.
Our producer Laurence Glover was kind enough to let us invade his house for a couple of days to film this.
Shot by myself and Andrew Johnson. Music by Dave Dipre. Edited by me.
Written and directed for your viewing pleasure by Phil Stoole and myself.
Another short film inspired by 28 Days/Weeks Later.
This film was made using our technique of surfing the main unit.
All the infected in this film are indeed being filmed for the actual feature, 28 Weeks Later
Helicopters added by the nice people at Big Buoy.
Wonderful production design courtesy of Iain White. Shot by Andrew Johnson. Editor on this one was myself and Geraint Hew Reynolds.
Written and directed by Phil and myself.