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February 24, 2009

Getting life to imitate art

Julieanne Moore can be found in several photographs which endeavour to copy or pay homage to classic paintings.

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Seated Woman with Bent Knee, Egon Schiele, 1917 / Peter Lindbergh

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The Cripple, John Currin, 1997 / Peter Lindbergh

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La Grande Odelisk, Jean Auguste Dominique Ingres 1814 / Michael Thompson

To a greater or lesser degree of success depending on your point of view. Which highlights the dilemma of image making. Do we just hold up a mirror to the world?

Do we just copy what’s in front of us, verbatim, or do we try and interpret it? For years, before the camera, there wasn’t the choice. And now digital technology means we can manipulate reality like never before.

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Lady with an Ermine, Leonardo da Vinci 1490 / Rainer Elstermann

Personally I think it’s important to impart some opinion, some other dynamic to a picture, be it a painting or a photograph. Just to reproduce an image is merely a clever trick and should be on the end of the pier. It’s a one-liner, an Ah! or even a Wow! but art it isn’t.

It’s not just Julieanne that’s been at it though: Naoto Kawahara gets up to it sometimes, though with oil paint rather than photography.

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The Guitar Lesson, Balthus 1934 / Naoto Kawahara

And Michael Sanders produced this rendition of the famous picture of Gabrielle d’Estrées and one of her two sisters. Incidentally the pinching of Gabrielle’s nipple, by one of her two sisters, is thought to symbolise that Gabrielle, mistress of Henry IV of France, was pregnant.

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Gabrielle d’Estrées et de sa soeur a Duchesse de Villars, School of Fontainebleau, c.1594 / Michael Sanders

Posted by john at February 24, 2009 01:57 PM

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